A friend and I are in the beginning phases of launching a premiere real-estate and business photography service, Omni Virtual. Here is the visual identity of the brand and the final logo that I designed.
Conceived and photographed the cover art for Wesley Curtis’ new single, “Don’t Mind”.
A 3D expanded rendering of the e-commerce website I designed for Perfect Peach. While building the site, I also designed all of the brand iconography and photographed the e-commerce and front pages.
I was a selected candidate for a graphic design challenge BLADE held for their prospective interns. We had to create a collection of Google Ads of various sizes. These designs won the contest and granted me the summer internship.
After printing out several of these 5x7’ posters, I became interested in the dimension and depth added to the iconography when the paper was folded. I took this concept and ran with it — photographing the inside of the paper.
Experimenting with applying imagery to the back of a denim jacket. I laser printed the picture onto tyvek paper which is near indestructible. I then etched the definition of “dissonance” out vinyl to be used as a stencil for fabric paint.
Designing and constructing my first pair of pants. Inspired by the recent emergence of luxury streetwear, I designed an oversized sweatpants silhouette and contrasted it with a navy blue poly-twill fabric. I also began experimenting with embroidery and laser engraving fabric.
It was always my intention for Dissonance to be an on going collaboration with the city. Be it weathering, graffiti, or attempts to remove the posts, I was very interested in seeing how the city would alter the pieces.
I was invited by @peerspace to speak on a panel about how to improve creative spaces/productions within the Peerspace community.
A concept to create an interactive “business card” to be delivered to prospective photography clients. Inspired by fire extinguisher cabinets, I 3D modeled an acrylic cube with a giant print inside. The cube was designed to be broken into so the print can be accessed. Once the 42x36” print was unfolded, it would make a much larger impact and give a better impression of my creativity than a traditional email. The bottom face of the cube would contain my contact information.
Fabricating custom black & white zip system plywood sheathing. I measured original zip system dimensions and recreated the designs in Adobe Illustrator. I then laser cut the designs out of matte board to create a spray paint stencil.
Promotional content and album cover created for the release of Wesley Curtis’ EP “AZURE”.
Album cover for almondmilkhunni’s debut single, GRAPEFRUIT.
After working with Marcus earlier in the summer, he was inspired by the set I constructed for our photoshoot and asked if I could assist in designing a set for one of his shoots. He mentioned he wanted to play with translucence, so I tied twine between two trees and hung a sheet of painters plastic on the line allowing the golden hour sun to breath through it.
Experimenting with digital brand applications for the #anantibrand iconography.
Constructing the set for my shoot with Marcus Branch — exploring furniture and set design. I scouted this location in an abandoned construction site for months.
Album art for Wesley Curtis’ EP, “AZURE”
Dina Baez shoot featured it Vouge Italia
